Difference between revisions of "The Man Who Came to Be Dinner/Gags"
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|name = "The Man Who Came to Be Dinner" Couch gag | |name = "The Man Who Came to Be Dinner" Couch gag | ||
|image = [[File:The Man Who Came To Be Dinner Couch Gag.png|300px]] | |image = [[File:The Man Who Came To Be Dinner Couch Gag.png|300px]] | ||
− | |duration = | + | |duration = 0:16 |
}} | }} | ||
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+ | The Simpsons are at an art exhibition. They are watching paintings of themselves with different art techniques and parodies, while ''{{w|Pictures at an Exhibition#10. The Bogatyr Gates (In the Capital in Kiev)|Pictures at an Exhibition: The Bogatyr Gates}}'' is heard in the background: | ||
+ | *[[Maggie]] is illustrated using the {{w|Ben Day process}}, widely used in comic books of the 1950s through the 1970s. | ||
+ | *[[Lisa]]'s painting has the style of Escher's {{w|tessellations}}. Graphic artist {{w|M. C. Escher}} was a known user of mathematically inspired art. | ||
+ | *[[Bart]] is based in {{w|Jackson Polloc}}'s {{w|drip painting}}, a form of abstract art in which paint is dripped or poured on to the canvas. | ||
+ | *[[Marge]]'s painting is a parody of ''{{w|Femme aux Bras Croisés}}'', made by {{w|Picasso}} during his "{{w|Picasso's Blue Period|Blue Period}}". Picasso's signature can also be seen. | ||
+ | *[[Homer]]'s painting is a parody of ''{{w2|Bacchus|Rubens}}'' by {{w|Peter Paul Rubens}}. | ||
+ | |||
+ | Later, the Simpsons get tired and change the paintings to their favorite TV programs using a remote control. | ||
+ | {{-}} | ||
+ | <gallery> | ||
+ | File:The Man Who Came to Be Dinner Couch gag Maggie.png|[[Maggie]] is illustrated using the {{w|Ben Day process}} | ||
+ | File:The Man Who Came to Be Dinner Couch gag Lisa.png|[[Lisa]]'s painting has the style of Escher's {{w|tessellations}} | ||
+ | File:The Man Who Came to Be Dinner Couch gag Bart.png|[[Bart]] is based in {{w|Jackson Polloc}}'s {{w|drip painting}} | ||
+ | File:The Man Who Came to Be Dinner Couch gag Marge.png|[[Marge]]'s painting is a parody of ''{{w|Femme aux Bras Croisés}}'' | ||
+ | File:The Man Who Came to Be Dinner Couch gag Homer.png|[[Homer]]'s painting is a parody of ''{{w2|Bacchus|Rubens}}'' | ||
+ | </gallery> | ||
{{Season 26|Gag}} | {{Season 26|Gag}} | ||
{{DEFAULTSORT:Man Who Came to Be Dinner/Gags, The}} | {{DEFAULTSORT:Man Who Came to Be Dinner/Gags, The}} |
Revision as of 14:52, February 13, 2021
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Title screen gag
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Couch gag
"The Man Who Came to Be Dinner" Couch gag
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Couch Gag Information
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The Simpsons are at an art exhibition. They are watching paintings of themselves with different art techniques and parodies, while Pictures at an Exhibition: The Bogatyr Gates is heard in the background:
- Maggie is illustrated using the Ben Day process, widely used in comic books of the 1950s through the 1970s.
- Lisa's painting has the style of Escher's tessellations. Graphic artist M. C. Escher was a known user of mathematically inspired art.
- Bart is based in Jackson Polloc's drip painting, a form of abstract art in which paint is dripped or poured on to the canvas.
- Marge's painting is a parody of Femme aux Bras Croisés, made by Picasso during his "Blue Period". Picasso's signature can also be seen.
- Homer's painting is a parody of Bacchus by Peter Paul Rubens.
Later, the Simpsons get tired and change the paintings to their favorite TV programs using a remote control.
Maggie is illustrated using the Ben Day process
Lisa's painting has the style of Escher's tessellations
Bart is based in Jackson Polloc's drip painting
Marge's painting is a parody of Femme aux Bras Croisés
Season 26 Gags | ||
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Clown in the Dumps • The Wreck of the Relationship • Super Franchise Me • Treehouse of Horror XXV* • Opposites A-Frack* • Simpsorama • Blazed and Confused • Covercraft • I Won't Be Home for Christmas • The Man Who Came to Be Dinner • Bart's New Friend • The Musk Who Fell to Earth • Walking Big & Tall • My Fare Lady • The Princess Guide • Sky Police* • Waiting for Duffman • Peeping Mom • The Kids Are All Fight • Let's Go Fly a Coot • Bull-E • Mathlete's Feat |