Difference between revisions of "James L. Brooks"
(Very minor consistency fix) |
(→Credits) |
||
| Line 41: | Line 41: | ||
{{scroll | {{scroll | ||
|content= | |content= | ||
| − | * | + | * {{ep|Simpsons Roasting on an Open Fire}} |
| − | * | + | * {{ep|Bart the Genius}} |
| − | * | + | * {{ep|Homer's Odyssey}} |
| − | * | + | * {{ep|There's No Disgrace Like Home}} |
| − | * | + | * {{ep|Bart the General}} |
| − | * | + | * {{ep|Moaning Lisa}} |
| − | * | + | * {{ep|The Call of the Simpsons}} |
| − | * | + | * {{ep|The Telltale Head}} |
| − | * | + | * {{ep|Life on the Fast Lane}} |
| − | * | + | * {{ep|Homer's Night Out}} |
| − | * | + | * {{ep|The Crepes of Wrath}} |
| − | * | + | * {{ep|Krusty Gets Busted}} |
| − | * | + | * {{ep|Some Enchanted Evening}} |
| − | * | + | * {{ep|Treehouse of Horror IV}} |
* {{ep|Lard of the Dance}} | * {{ep|Lard of the Dance}} | ||
| − | * | + | * {{ep|Lost Verizon}} |
| + | * {{ep|Eeny Teeny Maya Moe}} | ||
}} | }} | ||
| Line 62: | Line 63: | ||
{{scroll | {{scroll | ||
|content= | |content= | ||
| − | * | + | * {{ep|Simpsons Roasting on an Open Fire}} |
| − | * | + | * {{ep|Bart the Genius}} |
| − | * | + | * {{ep|Homer's Odyssey}} |
| − | * | + | * {{ep|There's No Disgrace Like Home}} |
| − | * | + | * {{ep|Bart the General}} |
| − | * | + | * {{ep|Moaning Lisa}} |
| − | * | + | * {{ep|The Call of the Simpsons}} |
| − | * | + | * {{ep|The Telltale Head}} |
| − | * | + | * {{ep|Life on the Fast Lane}} |
| − | * | + | * {{ep|Homer's Night Out}} |
| − | * | + | * {{ep|The Crepes of Wrath}} |
| − | * | + | * {{ep|Krusty Gets Busted}} |
| − | * | + | * {{ep|Some Enchanted Evening}} |
| − | * | + | * {{ep|Treehouse of Horror II}} |
| − | * | + | * {{ep|Lost Verizon}} |
| + | * {{ep|Eeny Teeny Maya Moe}} | ||
}} | }} | ||
| Line 82: | Line 84: | ||
{{scroll | {{scroll | ||
|content= | |content= | ||
| − | * | + | * {{ep|Simpsons Roasting on an Open Fire}} |
| − | * | + | * {{ep|Bart the Genius}} |
| − | * | + | * {{ep|Homer's Odyssey}} |
| − | * | + | * {{ep|There's No Disgrace Like Home}} |
| − | * | + | * {{ep|Bart the General}} |
| − | * | + | * {{ep|Moaning Lisa}} |
| − | * | + | * {{ep|The Call of the Simpsons}} |
| − | * | + | * {{ep|The Telltale Head}} |
| − | * | + | * {{ep|Life on the Fast Lane}} |
| − | * | + | * {{ep|Homer's Night Out}} |
| − | * | + | * {{ep|The Crepes of Wrath}} |
| − | * | + | * {{ep|Krusty Gets Busted}} |
| − | * | + | * {{ep|Some Enchanted Evening}} |
| − | * | + | * {{ep|Treehouse of Horror II}} |
| − | * | + | * {{ep|Lost Verizon}} |
}} | }} | ||
{{DEAFULTSORT:Brooks, James L.}} | {{DEAFULTSORT:Brooks, James L.}} | ||
| − | |||
[[Category:Cast and Crew]] | [[Category:Cast and Crew]] | ||
Revision as of 13:45, January 25, 2010
James L. Brooks (born May 9, 1940) is an producer, writer, and film director.
He is best known for producing classic TV shows like The Mary Tyler Moore Show, The Simpsons, Rhoda, Taxi, and The Tracey Ullman Show. His best-known film is his directorial debut, Terms of Endearment, for which he received three Academy Awards in 1984.
Contents
Biography
James L. Brooks was raised in a Jewish family in Brooklyn, New York. Brooks began his television career as a writer for CBS News from 1964 to 1966. After working for the ABC television series Room 222 as executive story editor, Brooks was hired along with writing partner Allan Burns by television executive Grant Tinker to create a show that would later become The Mary Tyler Moore Show.
The Mary Tyler Moore Show became a critical and commercial success and spawned other television shows created by Brooks and Burns such as Rhoda, Paul Sand in Friends and Lovers, Taxi, The Associates, and Lou Grant.
In 1978, Brooks began work on feature motion films. His first project was being writer and co-producer on the film Starting Over and later wrote, produced, and directed Terms of Endearment in 1983.
Brooks later started his own film and television production company, Gracie Films, in 1984. Gracie Films would produce the television series The Tracey Ullman Show and its spin-off, The Simpsons. He also produced the Jon Lovitz animated series The Critic. Gracie Films' notable film productions were Jerry Maguire, As Good as It Gets, Bottle Rocket, and Broadcast News.
Brooks had a cameo in the The Simpsons episode "A Star Is Born-Again". He also played a semi-fictional version of himself in friend Albert Brooks' comedy Modern Romance as an opinionated film director.
Trivia
Brooks was well-known for being in the studio audience of many shows that he produced in the mid 70s. Viewers can usually tell whether Brooks was in the audience by his distinctive loud guffaw. He would also make an occasional uncredited cameo appearance.
Noted filmography
- Spanglish (2004) (director)
- As Good as It Gets (1997) (director)
- Jerry Maguire (1996) (producer)
- Bottle Rocket (1996) (producer)
- The Critic (1994) (executive producer)
- The Simpsons (1989) (executive producer)
- Say Anything... (1989) (producer)
- Big (1988) (producer)
- Broadcast News (1987) (director)
- The Tracey Ullman Show (1987) (producer)
- Terms of Endearment (1983) (director)
- Taxi (1978) (producer)
- Rhoda (1974) (producer
- The Mary Tyler Moore Show (1970) (producer)
- The Andy Griffith Show (1960)
- My Three Sons (1960)
